Conference circle

 

Conference Papers 

 

INDEX

VARIOUS PAPERS SUBMITTED AT THE MUSIC CONFERENCE
         
SR.NO TITLE OF PAPER Sub-heading where available Author Year of. Conference Subject
      Conference  
         
1 Who is afraid of the 21st Century a) Prediction Problems Prof.T.R.Subramanyam 1/1998 Carnatic Music in
  b) A scan of important aspects     the 21st century
      to help prediction      
         
2 The Future for Carnatic Music a) The Past and the Present Sri.O.S.Tyagarajan 1/1998 Carnatic Music in
  b) The next century     the 21st century
  c) Conclusion      
         
3 Laya in Carnatic Music…&Beyond a) Our glorious Music Sri.Aleypey Venkatesan 1/1998 Carnatic Music in
  b) The universality of Laya     the 21st century
  c) Laya in Carnatic Music      
  d) Conclusion      
         
4 Modern Carnatic Concerts - a) The concert Environment Dr.Radha Bhaskar 1/1998 Carnatic Music in
Form & Content b) The concert Features     the 21st century
  c) The Role of Compositions      
  d) The Role of Raga      
  e) The Concert Construction      
  f)  Thematic Concerts      
  g) Miscellaneous      
  h) Conclusions      
         
5 Lessons from the Past will shape a) Introduction Mrs.Aruna Sayeeram 1/1998 Carnatic Music in
the future! b) Sahitya, then and now     the 21st century
  c) The future for Carnatic Music      
         
6 The Future Cannot be different from a) Introduction Mrs.Geeta Raja 1/1998 Carnatic Music in
now b) Sahitya(Compositions)     the 21st century
  c) Conclusions      
         
         
SR.NO TITLE OF PAPER Sub-heading where available Author Year of. Conference Subject
      Conference  
7 The Future of Carnatic Music from a) Gods Gift to Humanity Sri.K.Muthu Subramaniam 1/1998 Carnatic Music in
what it is today b) Carnatic Music in our Treasure     the 21st century
  c) Undiluted, the future is secure      
  d) Conclusion      
         
8 The year 2047 A.D: What lies Ahead? a) Introduction Ms.Maitreya Ramadurai 1/1998 Carnatic Music in
  b) The Music Scene     the 21st century
  c) The Influence of Technology      
  d) The Present as a  Platform for the future      
  f) Conclusion      
         
9 The Year 2047 A.D - A likely a) General Sri.V.Subramanian 1/1998 Carnatic Music in
Scenario b) Analysis     the 21st century
  c) Polarization into Sub-Streams      
  d) Conclusions      
         
10 The year 2047 A.D - A letter from a   Ms.Vishal Ramani 1/1998 Carnatic Music in
doting aunt to her niece       the 21st century
         
11 Instrumentalists need Sahitya Support!   Ms.Kalyani Viswanathan 1/1998 Carnatic Music in
        the 21st century
         
12 An Elaborate Sruti-Bhedam Exercise   Sri.V.Subramanian 1/1998 Carnatic Music in
        the 21st century
         
13 Influence of Western Music upon a) Introduction Dr.S.A.K Durga 1/1998 Carnatic Music in
Carnatic Music b) Influence on Performing Mode     the 21st century
  c) Influence on the Scholastic      
     Tradition      
  d) Conclusion      
         
SR.NO TITLE OF PAPER Sub-heading where available Author Year of. Conference Subject
      Conference  
         
14 Influence of Hindustani Music on a) Introduction Dr.Radha Venkatachalam 1/1998 Carnatic Music in
Carnatic Music : Yesterday -Today - b) The misleading term "Carnatic"     the 21st century
Tomorrow c) Carnatic Music Vis-A-Vis      
      Hindustani Music      
  d) Conclusion      
         
15 Influence of Hindustani Music on a) Introduction Smt.Geeta Ravikumar 1/1998 Carnatic Music in
Carnatic Music b) Adopt but also Adapt     the 21st century
  c) Some suggestions on Adaptation      
  d) Conclusions      
         
16 Influence of Folk forms on Carnatic a) Introduction Sri.K.Ganesh Kumar 1/1998 Carnatic Music in
Music b) Folk Forms     the 21st century
  c) The Base for the Folk Forms      
  d) The Relevance of Bhajans      
  e) Sadir(Natyam)      
  f) The withering support to Folk Forms      
      and its Effects.      
  g) Conclusion      
         
17 Influencing Factor - Western Music   Sri.V.Subramanian 1/1998 Carnatic Music in
        the 21st century
         
18 Demonstration on Keyboard   Sri.Palakkad Sriram 1/1998 Carnatic Music in
        the 21st century
         
19 Carrying on the Music Tradition a) General Sri.T.K.Govinda Rao 1/1998 Carnatic Music in
  b) The Special Significance of Education     the 21st century
  c) An Action Plan      
  d) Manner & Spread of Carnatic Music      
      to Education      
         
SR.NO TITLE OF PAPER Sub-heading where available Author Year of. Conference Subject
      Conference  
         
20 Carrying on the Tradition a) Introduction Shri.P.N.Krishnamoorthy 1/1998 Carnatic Music in
  b) Our Heritage     the 21st century
  c) The Winds of Change      
  d) Carrying on the tradition      
  e) Some Suggestions & Conclusions      
         
21 Gearing up for the 21st Century & a) General Mrs.Vasumathi Badrinath 1/1998 Carnatic Music in
Beyond b) The Scene Today     the 21st century
  c) How can we preserve this great art?      
         
22 Some Commercial Considerations   Shri.S.Chandramouli 1/1998 Carnatic Music in
        the 21st century
         
23 Bhava in Sahitya & Raga   Shri.T.K.Govinda Rao 1/1998 Carnatic Music in
        the 21st century
         
         
INDEX
VARIOUS PAPERS SUBMITTED AT THE MUSIC CONFERENCE
         
SR.NO TITLE OF PAPER Sub-heading where available Author Year of. Conference Subject
      Conference  
         
1 From 'Yazh' to 'Guitar' a) Intoduction   Prof.V.V.Subramanian 2/1999 Stringed instruments
  b) Stringed Instruments     in Carnatic Music
  c) The need for supporting instruments      
       and Etimology      
  d) Varities of 'Yazh' & 'Veena'      
  e) Bowed insturments      
  f)  Plucked instruments(other than Veena)      
  g) General Remarks      
         
2 Veena : Its exalted status in Part I E.Gayatri 2/1999 Stringed instruments
Carnatic Music       in Carnatic Music
         
3 Veena : Its exalted status in Part II E.Gayatri 2/1999 Stringed instruments
Carnatic Music       in Carnatic Music
         
4 Veena : Its exalted status in a) Darsanopanishad E.Gayatri 2/1999 Stringed instruments
Carnatic Music b) Sandilyopanishad     in Carnatic Music
  c) Dyana Bindopanishad      
         
5 About Veena - You Think - a) Introduction Mrs. Jayanti R Kiran 2/1999 Stringed instruments
We create b) Veena - origin     in Carnatic Music
  c) Veena - Structure      
  d) Veena Types      
  e) Veena and its Divinity      
  f)  Contemporary Music scene      
  g) Present day Concert scenario      
         
6 Saraswathi Veena - Playing   Prof.R.Visweswaran 2/1999 Stringed instruments
Technique       in Carnatic Music
         
7 Chitra Veena - An Introduction a) General Sri. N.Ravikiran 2/1999 Stringed instruments
  b) Speciality     in Carnatic Music
  c) Re-Emergence      
  d) Sahha Ram Rao      
  e) Chitraveena Narasimhan      
         
8 Bala Veenai   Sri.T.R Balakrishnan 2/1999 Stringed instruments
        in Carnatic Music
         
9 The Rise of Violin in the South- a) The bow Sri. G.J.R.Krishnan 2/1999 Stringed instruments
Adaptation at its best b) Precursor to the Violin     in Carnatic Music
  c) Evidence in Ancient Scriptures      
  d) Music Treatises      
  e) Genealogy of the Violin      
  f)  Entry into South India      
  g) Indianisation of the instrument      
  h) Violin in the 19th Century      
  I ) Violin in the 20th Century      
  j)  Thirukkodi Kaval Krishna Iyer      
  k) Valadi Radhakrishna Iyer P      
  l)  Malai Kottali Govindaswami Pillai      
  m) Dwaram Venkataswam Naidu      
  n)  Mysore T Chowdiah      
  o) Kumbakonam Rajamanickam Pillai      
  p) Papa Venkatramiah      
  q) The Future      
         
10 Singing on the Violin   Sri Sriram Parasuram 2/1999 Stringed instruments
        in Carnatic Music
         
11 The Power of Violin and its role  a) The History of Violin Dr.M.Narmada 2/1999 Stringed instruments
as an accompaniment in Indian b) The Viiolin scene in Europe     in Carnatic Music
Music c)  The Vilin Scene in India      
  d)  The formidable role of Violin in      
        Indian Music      
         
12 Viiolin in South Indian Music   P.P.Ramakrishnan 2/1999 Stringed instruments
        in Carnatic Music
         
13 The Mandolin - A brief History a) Introduction U. Srinivas 2/1999 Stringed instruments
  b) Mandolin in India     in Carnatic Music
         
14 Stringed Instruments in Carnatic a) Introduction to Mandolin Suresh Kumar 2/1999 Stringed instruments
Music   -   Focus Mandolin b) Basic design of the Mandolin     in Carnatic Music
  c) Maestro U Srinivas : design      
  d) Suresh Kumar's design      
  e) Making the Mandolin sing - the gayaki      
      style      
  f) Importance of the amplifier      
  g) Effects processing      
  h) Interface with Computer/digital      
      electronics      
  I) The Mandolin parapherrnalia      
  j) Looking towards the future      
         
15 The Viola   V.L.Kumar 2/1999 Stringed instruments
        in Carnatic Music
         
16 The Guitar and the Carnatic Music a) The Guitar R.Prasanna 2/1999 Stringed instruments
  b) The Electric Guitar     in Carnatic Music
  c) Western Instruments in the Carnatic      
      Music      
  d) The Guitar in Carnatic Music      
         
         
VARIOUS PAPERS SUBMITTED AT THE MUSIC CONFERENCE
         
SR.NO TITLE OF PAPER Sub-heading where available Author Year of. Conference Subject
      Conference  
         
1 Wind Instruments in Carnatic   Shri B.M.Sundaram 3/2000 Wind Insturments in
Music       Carnatic Music
         
2 Nadaswaram-Mangala Vadyam   Padmashree M.P.N 3/2000 Wind Insturments in
(in Tamil)   Sethuraman   Carnatic Music
         
3 Nadaswaram - Magala Vadyam a) History of Nadaswaram Padmashree M.P.N 3/2000 Wind Insturments in
(in English) b) Method to make this instrument Sethuraman   Carnatic Music
  c) Mallari      
  d) Rakthe Melam      
  e) Conclusion      
         
4 Presentation of a distinctive a) Nagaswara Baani S.Kasim & S Babu 3/2000 Wind Insturments in
  b) Playing Technique     Carnatic Music
  c) Mallari      
  d) Distictive Technique      
  e) Importance of Sahityam      
  f) Melody      
         
5 The Magic Flute a) Mythological Introducton Mala Chandrasekar 3/2000 Wind Insturments in
  b) Scientific Introducton     Carnatic Music
  c) Flute in Carnatic Music      
  d) The scene in 20th Century      
  e) How to make the magic permeate      
  f)  Conclusion      
         
6 Flute Techniques - Past & Present a) Use of transposed fingering techique Master Shashank 3/2000 Wind Insturments in
      and multiple flute system and it’s     Carnatic Music